Amazonian cultural platform
Cultural exchange — Argentina, 2024
An exchange, circulation and audiovisual production project that connected Brazilian artists to formative and cultural experiences in Buenos Aires, Bariloche and Lago Puelo.
Completed in 2024
Project origin
Dançando Além das Fronteiras — Argentina was structured to expand experiences for artists linked to the Dança Carajás ecosystem and create real opportunities for circulation, training and cultural cooperation.
The project connected dance produced in Pará to Argentine artistic contexts, combining presentations, workshops, coexistence, exchange and audiovisual documentation.
More than a trip, the proposal sought to turn displacement into an artistic, formative and institutional process.
Three distinct products
Dançando Além das Fronteiras — Argentina. Circulation, training and cultural cooperation. Status: carried out in 2024.
Completed projectDançando Além das Fronteiras — Argentina. Audiovisual work resulting from the experience. Status: produced and registered, according to ANCINE documentation reported in the portfolio and institutional pages.
Audiovisual workDocumentary publication presented in Institutional Portfolio 2026. Status: in development.
In developmentDevelopment of the festival
The project was developed from the connections built by JA Produções and the Dança Carajás Festival ecosystem. The inaugural 2023 edition served as a basis for identifying artistic trajectories and for expanding circulation beyond the territory.
International circulation expanded the festival’s proposal without replacing it: Dança Carajás remains a territorial cultural platform; Dançando Além das Fronteiras — Argentina is an exchange and audiovisual memory offshoot.
Artists in circulation
According to the Institutional Portfolio 2026, participants were defined from criteria linked to artistic trajectory and recognitions obtained at Dança Carajás Festival 2023.
The portfolio also reports awards of full scholarships. In the public sources available on this site there is no selection regulation, authorized name list, scholarship coverage details, counterparts, or formal differentiation among artists, choreographers, and technical staff.
Therefore participation is presented collectively, without ranking, individual biographies or exposure of personal data.
Artistic trajectory and recognitions linked to the 2023 edition of Dança Carajás, according to the portfolio.
Full scholarships mentioned in the portfolio. Detailed financial scope not published without a work plan.
Brazilian artists in exchange with Argentine contexts, with documentary recording of the experience.
Individual participant names and photographs are not published on this page until authorization and credit are confirmed in the site’s web archive.
Public policy and execution
The Institutional Portfolio 2026 reports logistical feasibility through Lei Paulo Gustavo instruments. The instruments are presented separately. Values, process numbers, and detailed work-plan objects for each plan are not available for publication on this site.
It is not claimed that a single public call funded the entire trip, nor that audiovisual production and travel belong to the same budget object, without work plans. Values are not invented.
Three cities, one experience
The exchange experience took place in Argentina in 2024. The audiovisual context also records a duration of ten days. Start and end dates and the daily breakdown by city are not available for publication on this site.
Verified locality of the artistic circulation and audiovisual record. It includes the photographic record of Plaza del Obelisco in the project context. Detailed programming by venue and date is not available for publication on this site.
Confirmed locality, with cultural articulation alongside Danzarium Bariloche. Workshops, presentations and filming are described in the portfolio as part of the experience; venue names and quantities are not invented here.
Locality confirmed in 2024, integrated into the trajectory of exchange, training and documentary recording.
Integrated experience
Presentations and presence of Brazilian dance in Argentine cultural contexts.
Workshops, guidance, technical exchange and contact with professionals.
Coexistence, listening and contact among different contexts and languages.
Relations with organizations, professionals and cultural spaces.
Documentation of the experience and construction of the derived work.
Programming delivered
The portfolio and approved institutional pages confirm special presentations, workshops, cultural exchange, formative activities, international networking and documentary recording.
Number of performances, workload hours, audience figures, workshop names, teachers, and performance titles are not published without official programming in the available public sources.
Sharing of works in Argentine contexts, according to project records.
Educational activities and experiences of technical and artistic exchange.
Meetings with professionals and institutions within the exchange.
Audiovisual and photographic capture that fed the documentary work.
Relationships built
JA Produções delivered the conception, production and execution of the exchange and audiovisual record. In Argentina, the experience relied on cultural articulation with Danzarium Bariloche.
On this page, Danzarium is classified as cultural articulation and hosting of activities — not as a permanent formal partner — because the public sources available on this site do not present a contract, agreement, or formalized partnership letter.
Delivery of the exchange project and the audiovisual work.
Cultural articulation in Bariloche, according to institutional pages and portfolio.
An annual Brazil–Argentina program is not claimed without newly confirmed cycles.
Completed in 2024 — documented cultural articulation; permanent partnership not claimed.
Audiovisual memory
The record was conceived to preserve presentations, processes, testimonies, landscapes, challenges and relations built during circulation.
The work is not merely a travel video: it follows Brazilian and Argentine artists in Buenos Aires, Bariloche and Lago Puelo, articulating dance, exchange, territories and internationalization of Amazonian dance.
Record artistic mobility, intercultural encounter and memory of circulation.
Participating artists, paths, expectations and transformations throughout the process.
Buenos Aires, Bariloche and Lago Puelo as cultural and narrative contexts.
Body language as an axis to relate identity, displacement and encounter.
Audiovisual work
Official sheet according to data reported in the Institutional Portfolio 2026 and the approved Audiovisual page. The certificate is not reproduced as a visual seal.
From work to audience
As we are in 2026, the page describes selection and insertion documented in the past. Current availability on channels and platforms depends on current instruments and deadlines and is not affirmed without verification.
The work was selected in Chamamento Público nº 010/2024 — Edital de Licenciamento de Obras para Exibição II, under Lei Paulo Gustavo — Item IV.
Licensing linked the work to Empresa Brasil de Comunicação and Rede Nacional de Comunicação Pública, with free-to-air TV exhibition and on-demand availability during the contractual period.
Selected · contractual periodLicensing and exhibition-network relations, according to the public call instrument. They are not presented as permanent JA distributors.
Licensor / exhibition networkThe articulation built at MICBR 2023 resulted in the work’s insertion on the Sommos Amazônia platform, expanding its dissemination in a regional digital environment.
Current availability on the platform, any exclusivity periods, and the public URL have not been confirmed in the public sources available on this site.
Documented placement · availability to be confirmedIntake content
The portfolio presents two teaser concepts developed to lead the audience to the main work. Video files, thumbnails, and versions in Portuguese, Spanish, and English are not available for publication on this site for embedding.
Documented concepts · pending files — players are not listed without official files.
Publication in development
The Institutional Portfolio 2026 presents the publication as a work intended to record the experience, preserve lived moments, reflect on internationalization and discuss cultural exchange.
The portfolio reports development with Universidade Federal do Pará — UFPA, partnership with Dança Carajás Festival, a forecast of 500 copies and free distribution to libraries and cultural centers.
Project results
Action carried out in three Argentine cities in 2024.
Workshops, coexistence and cultural relations built along the way.
Documentary produced and registered, according to the ANCINE data provided.
Licensing and insertion on platforms, according to instruments — current availability to be confirmed.
Records, conceptual teasers and publication in development.
Expansion of JA’s institutional presence and of Amazonian dance in Latin American circuits.
Audience, financial return, international contracts, new trips or annual continuity are not claimed without documents.
Documented trajectory
Paulo Gustavo instruments reported for feasibility and licensing, in distinct spheres.
Number B24-002648-00000 with ANCINE, according to the portfolio and the Audiovisual page.
Result of Chamamento Público nº 010/2024 — Edital de Licenciamento de Obras para Exibição II.
EBC, RNCP and Sommos Amazônia, according to the status and period of each instrument.
Specific press clipping with outlet, date, and link is not published on this site; therefore it is not reproduced here.
Continuity
The exchange in Argentina remains the cycle completed in 2024. The documentary was produced, registered and submitted to licensing and dissemination instruments.
Programs mentioned in the portfolio for destinations such as Londres, Nova York, Paris, Hong Kong or other routes are not presented as completed. This page omits those destinations until formalization, resources and documentary confirmation exist.
The earlier claim about networks in Latin America, Europe, the United States and Asia as structured reach was removed.
Exchange memory
At this time, the site publishes one web-ready photographic record of circulation in Buenos Aires. Other categories await publication of authorized files.
The expanded gallery will be incorporated when authorized photographs and frames from performances, workshops, backstage, Bariloche, Lago Puelo and documentary filming are available. Portfolio 2026 prints and artificial images are not used.
Production and articulation
Organized by actual role in the 2024 cycle. Not all are permanent partners.
Conception, production and execution of the exchange and the audiovisual work.
Territorial base and reference for selecting artistic trajectories.
Municipal and state instruments reported for feasibility; licensing via Chamamento 010/2024.
Cultural articulation in Bariloche — not classified here as a permanent formal partner.
Informed registration of audiovisual work B24-002648-00000.
According to Public Call No. 010/2024 and the contractual period.
Documented placement; current availability to be confirmed.
Informed link for Memórias em Movimento — publication in development.
International circulation and cooperation
JA engages with artists, festivals, institutions, programs and organizations interested in exchange, circulation, training, recording and cooperation between territories. Every proposal depends on formalization, resources and defined responsibilities.
